Coule la Seine - Fred Vargas
Vasco de Gama isn't there by chance, but has read of Adamsberg solving the case of the murder of a fellow down-and-out. A former tailor, Vasco considers himself a poet and as such recognises that there is something special about Adamsberg. Not so much Danglard, who openly shows his dislike of the observer and the fact that Adamsberg tolerates it. Adamsberg however is sure there is a connection between the letters and Vasco's appearance outside the commissariat around the same time.
Salut et liberté is almost a fully-fledged Adamsberg investigation in miniature. It has all the familiar characters, behaviours and quirks you would expect to find in the longer works, with the commissioner as ever working on insights and intuition based on small unusual details. Doing nothing it seems to the outside eye - apart from Vasco evidently - but at the same time observing more than you would think. The resolution of the case is also as roundabout and unexpected as it gets with Vargas.
La nuit des brutes is a minor story, a little too short for the Vargas magic to flow but it's consistent with the nature of an Adamsberg investigation, requiring at it does help from an unexpected outsider.
Unfortunately he is brought to the police station for questioning, or perhaps he's fortunate that it is Jean-Baptiste Adamsberg who interviews him. Pi is presumably short for Pierre, but the rest of forename was accidentally dissolved by a cup of coffee on birth certificate, a typically Vargasian touch. And since he is called Pi - as he insists - he is good with figures, particularly at calculations of the circumference of circles. Yeah, where else do you get this but in a Fred Vargas story? And the rest. The woman turns out to be an important figure close to government, the sponge seller a nobody, but Adamsberg has a way of giving people purpose and value. My favourite story in this short collection, this is classic Fred Vargas.
Reading notes. Coule la Seine by Fred Vargas, Vivianne Hamy, first edition 2002. This edition comes with illustrations for all three stories by Edmond Baudoin. I think the artist liked Cinq francs pièce as well, as he created a full comic version of the story, Le marchand des éponges (published by Librio). It's entirely faithful to the original (if not perhaps meeting the individual reader's own image of Adamsberg), using much of Vargas's writing (though updating the 5 francs to 1 Euro). The book also includes an original piece by Baudoin (Dessiner la ville), where he pays tribute to Vargas for inspiring him to look at the streets of Paris and see them through her eyes. Baudoin has also created an original graphic novel with Vargas, Les Quatre Fleuves (Vivianne Hamy, 2000).
Up until late last year, Vargas had not published a new book for about 6 years, so I had intended make use of the hiatus to re-read all her books that I haven't reviewed yet. I've fallen behind with that plan, so not only do I have the new book Sur la dalle to read now, I still haven't even read the previous two yet (Temp glaciaires and Quand sort la recluse). That's a poor effort on behalf of an author I consider to be one of my favourite writers, so I'll have to get back to that or at least catch up on those last three previously unread books.
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