To The Last Page

If you’ve read any of Patrick McGrath’s work before you’ll be aware and expect his book to deal with madness, but madness takes many forms. While in books with evocative titles like Asylum , Trauma and Dr. Haggard’s Disease  it is often related to acts of madness in fictional doctors and damaged artists in Gothic asylums, McGrath has extended its range to take in wider dysfunction in American society, as well as the trauma inflicted by historical events, from 9/11 in Ghost Town to the American Revolution years of Martha Peake . What greater collective social madness can there be then than a country involved in a civil war? Last Days in Cleaver Square has quite a few of McGrath’s familiar elements, not least of which is a narrator who appears to be gradually losing his mind, which can only be a good thing for fans of his deliciously delirious fiction, and it is indeed again an artist who is afflicted with the onset of madness here. Francis McNulty is an aging poet who in his youthful

Soho in London is famous for its colourful character and Fiona Mozley certainly manages to show a good cross-section of that in her latest novel Hot Stew . It follows the fortunes of a very diverse selection of characters who interact only peripherally with one another, which is perhaps a fairly accurate way of describing how those of different classes, races and sexual orientation all interact in the real world. They are however all part of the complex ecosystem of life interaction as it operates in Soho. Or perhaps fails to operate as, like anywhere in London, population shifts and business ventures change quickly and often and the old ways of operating might no longer be fit for purpose. Certainly “the oldest profession” is struggling to maintain its traditional presence in the district. One of the central characters, Precious, a young black woman who work in the sex industry there, decides to put up a fight against the rent increases that are being imposed as a way to force her and

I will make exceptions, but it would take something special for me to want to read any more books with titles that are variations on T he Seven Deaths of Evelyn Hardcastle or The Many Lives of Heloise Starchild , but we are talking about Max Barry here. Barry, in my experience ( Jennifer Government , Lexicon , Providence ), has always been creative within the conventions of the science fiction genre, so when he comes in with a book entitled The 22 Murders of Madison May , I don’t even need to read the blurb or synopsis to know he’s going to come up with an entertaining and distinctive variation on a theme that is often difficult to work with. Those who haven’t read Barry however it might take a little more convincing, so to summarise the concept (which is admittedly is a little easier than trying to describe The Seven Deaths of Evelyn Hardcastle ) it’s about a 22 year old woman, Madison May, an estate agent, an actress or whatever she happens to be in 22 different realities in which s

Code 93 , the first book in Olivier Norek's 'Banlieues Trilogy', a policier  series dealing with the modern day realities of violent drug crime in the suburbs of Paris, gets off to an intriguing start with two separate, but inevitably connected, strange and inexplicable deaths. It's 2011, and although Camille has been reported missing for a long time, when her family are invited to morgue to identify the body of a dead young woman who has clearly suffered drugs and sexual abuse, they refuse to recognise that the woman is Camille. Soon after, the body of a large man is found by security guard in an abandoned warehouse near the canal with three bullet wounds and no pulse. When the autopsy is carried out however, it is discovered that he hasn't actually been shot at all, it's just he is wearing the shirt of a man who has been shot three times. He may not have been shot, but he has been castrated while alive. And speaking of alive it turns out that the 'corpse&#