Trauma - Patrick McGrath
Essentially then, there is no dramatic shift in subject matter or style for McGrath in Trauma, with a flawed or unreliable narrator (this one being a psychiatrist who obviously has a tendency to be over-analytical of other’s motives and behaviour), and clashes between rational analysis and sexual passions, between seemingly rational-minded individuals and artistic creative geniuses – so it’s not just Asylum that comes to mind here, but also Port Mungo.
What is different in Trauma, and confirmed in the author’s previous (fabulous) collection of three short novellas Ghost Town, is the growing influence and importance of living in New York that is playing a greater part in McGrath’s work, the author managing to channel both the passionate seething of life with the isolating factors and anonymity of living there. Slowly but surely then, the depictions of madness in McGrath books is extending from the individual to the collective madness of America, without losing any of the riveting personal drama of his work.
Comments
Post a Comment