To The Last Page

The Whisper of Stars is an ambitious work of fantasy fiction that lays its fantasy elements onto real-life history and even real-life historical figures. That's not entirely new of course, but what is impressive is in how convincing Cristin Williams makes it, building a folk-like legend around a particularly dark moment in world history without making light of the horrors surrounding it. The events of the novel are set in 1923 in the aftermath of the Russian Revolution, where the Bolshevik forces under Lenin are hoping to use the skills of a select group of citizens to serve the needs of the state: those with the ability of witchcraft. There are three individuals in particular in the novel with striking and different abilities. Yekaterina Efremova, comes from a family of anarchists, Katya the daughter of the famous Svetlana Efremova. Katya is volshevniki , born with magic powers, her speciality as a charovniki is in the casting of spells. After some experiments to try to control ...

Alastair Reynolds has been known to dip his toes into other genres besides the space opera science fiction he is known for. When I say dip into, that means literally just flirting with the conventions of crime fiction and historical adventure, but always within the science-fiction world. Sometimes more obviously than others - Eversion had me confused for a while - although to my mind those have all been successful ventures. Although Halcyon Years flirts with noir then - more parodies than flirts with really - it's clear nonetheless right from the outset, when we find out that we are dealing with private investigator called Yuri Gagarin, that this is another genre-with-genre exercise - and again a fairly entertaining one, very much on the pulp side of his SF writing. Future noir is nothing new either, but it needs to work hard not to fall into parody. Reynolds doesn't seem like he is too concerned with that, creating Gagarin Investigative Enterprises, a small time operation wi...

Although she is known for her work is the SF/Fantasy genre (and has lately taken to Greek mythology), Slow Gods is the Claire North's first genuine work in the space-opera SF genre. Her approach however is familiar, drawing from the world around us now, finding a different perspective or way to express all the things humanity is getting wrong and where it might lead. 84K , an updating of 1984, was a good example of that. Similarly, the concerns in Slow Gods can be seen to critique authoritarianism and the failure of capitalism, as well as contemporary concerns and attitudes towards nationality, racism, gender politics and asylum seekers. In space of course. Unfortunately, while its heart is in the right place, this time the treatment feels rather heavy-handed and mired in tired prose and invented SF terminology that never seems to get to grips with the scope and scale of the issues that the novel attempts to raise. The characteristics and experiences of the central figure in the ...